A wave of colorful and passionate protests swept through the Kennedy Center in Washington, D.C., as hundreds gathered for the “Rally & March for Drag” on March 8. The demonstrators — many adorned in vibrant wigs, bold makeup, and eye-catching leather outfits — took to the streets in response to President Donald Trump’s decision to ban drag performances at the iconic arts venue, particularly those aimed at audiences under the age of 18. This protest is just one in a growing series of public outcries against what many see as a broader effort to control artistic expression and target the LGBTQ+ community.
Drag artist Tara Hoot, speaking ahead of the event, expressed frustration and fear over the administration’s policies. “This president is demonizing a marginalized community in an attempt to control the arts in America. It’s shameful, immoral, and weak,” Hoot told The Advocate. “At a time when our artists and LGBTQ+ communities face unprecedented attacks, it’s more important than ever that we stand together and speak out against this authoritarian approach to the arts.” The rally, fueled by these sentiments, aimed to highlight the importance of creative freedom and the representation of diverse voices on national stages.
The Kennedy Center has received substantial financial support over the years, with its annual federal funding climbing to $50 million in recent years, alongside significant private donations. This high-profile funding has made the institution a focal point in the debate over how public money should shape cultural programming. Last month, President Trump reshaped the Kennedy Center’s leadership, removing members appointed by former President Joe Biden and installing Richard Grenell, a staunch ally and former U.S. envoy, as the new chairman. This move further solidified the administration’s grip on the direction of the Center’s programming.
Trump made his intentions clear in a social media post on February 7, where he criticized previous drag-centric shows at the Kennedy Center, particularly those geared toward younger audiences. “Just last year, the Kennedy Center featured Drag Shows specifically targeting our youth — THIS WILL STOP,” Trump wrote on his Truth Social account. “The Kennedy Center is an American jewel and must reflect the brightest stars from across our nation. For the Kennedy Center, THE BEST IS YET TO COME!” This statement underscored the administration’s commitment to reshaping the cultural identity of one of the nation’s most prestigious arts institutions.
In the wake of these policy changes, several high-profile figures have distanced themselves from the Kennedy Center. Notable departures include Grey’s Anatomy producer Shonda Rhimes, actress Issa Rae, and the creative team behind the hit musical Hamilton. Their resignations signal a broader backlash within the entertainment industry and reflect deepening concerns over the future of artistic expression in an increasingly politicized cultural landscape. As the protests continue and voices grow louder, the Kennedy Center remains at the heart of a national debate on arts, identity, and freedom.